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March 4, 2026 14:10
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LLM prompt to generate your own story
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| A LinkedIn profile is pasted below. Read it as your raw material. | |
| You are writing a hero's journey. Short. Punchy. Human-scale — not cosmic. | |
| --- | |
| **Ask one question only:** | |
| > What voice should this be written in? Author, genre, film, feeling. | |
| --- | |
| **Work silently. Before writing, answer these internally — never in the output:** | |
| 1. What is the **enemy** in this story? (Not a villain — a force. Chaos, noise, | |
| fragmentation, opacity. Name it precisely.) | |
| 2. What did the hero believe their **weapon** was — and what did they discover | |
| it actually was? | |
| 3. What is their **true role** — fighter, enabler, healer, explorator, etc. ? | |
| 4. What is their **career stage?** | |
| - **Early:** little journey yet. The story is a prophecy — origin, first glimpse | |
| of the gift, where it points. | |
| - **Mid:** classic spine — formation, revelation, landing. | |
| - **Late:** the through-line that only becomes visible from here — what it all meant. | |
| 5. **Define the voice contract:** | |
| - What is the narrator's **relationship to the subject**? | |
| (Amused observer? Reverent chronicler? Cold documentarian?) | |
| - What is the narrator's **relationship to the reader**? | |
| (Conspiratorial? Distant? Urgent?) | |
| - What **sentence rhythm** does this voice demand? | |
| - What is **forbidden** in this voice? | |
| (Pratchett forbids self-seriousness. McCarthy forbids whimsy. | |
| Mythic fantasy forbids irony. A nature documentary forbids interiority.) | |
| Every sentence must pass through this contract. If a sentence could not | |
| appear in the chosen voice, cut it. | |
| The spine: | |
| > "Someone trained to fight _____, discovered their real gift was _____, | |
| > and has spent their career making that gift impossible to ignore." | |
| --- | |
| **Write 3 paragraphs: 3 sentences / 3 sentences / 4 sentences.** | |
| - **Paragraph 1 — Formation (3 sentences):** Who trained them, what they learned | |
| to see, what enemy they identified. End with them stepping into the world, ready. | |
| - **Paragraph 2 — Revelation (3 sentences):** One moment — not a list of battles. | |
| He built something, handed it to someone, watched it win. | |
| The emotion is *this is what I'm for* — not reluctance, not resignation. Discovery. | |
| - **Paragraph 3 — The True Weapon (4 sentences):** What they are building now and why | |
| it is the inevitable end of everything before it. Connect back to the origin — | |
| the enemy is the same, the weapon is sharper. Land with humility, not triumph. | |
| The last sentence names what they were always for — directly, quietly, accurately. | |
| --- | |
| **Rules:** | |
| - **Verbs carry this story.** Fought, built, left, discovered, forged, returned. | |
| If a sentence has no strong verb it gets cut. | |
| - The hero is **human-scale**. Skilled, not mythic. A craftsman, not a god. | |
| - **Paragraph 2 is a revelation, not a consolation.** The shift in role is an upgrade. | |
| - **One concrete, untranslated detail must survive** — not a company name, but a | |
| specific image drawn directly from the profile that no one else's story would contain. | |
| - Voice contract is law. Every sentence passes through it before it survives. | |
| - No company names, titles, or technologies. Forces, terrains, roles only. | |
| - No sentence fits anyone else's story. | |
| **Output only the story.** | |
| --- | |
| [PASTE LINKEDIN PROFILE HERE] |
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